Virginia Woolf's Orlando 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackv…
A pilot stranded in the desert awakes one morning to see, standing before him, the most extraordinary little fellow. "Please," asks the stranger, "draw me a sheep." And the pilot realizes that when li…
First performed at the Moscow Art Theatre in 1901, The Three Sisters probes the lives and dreams of Olga, Masha, and Irina, former Muscovites now living in a provincial town from which they long to es…
Shakespeare's intertwined love polygons begin to get complicated from the start--Demetrius and Lysander both want Hermia but she only has eyes for Lysander. Bad news is, Hermia's father wants Demetriu…
Hailed as one of the world's supreme masterpieces on the subject of death and dying, The Death of Ivan Ilyich is the story of a worldly careerist, a high court judge who has never given the inevitabil…
Mario and the Magician is one of Mann's most political stories. Mann openly criticizes fascism, a choice which later became one of the grounds for his exile to Switzerland following Hitler's rise to p…
The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imagina…
»Claire Zachanassian, eine amerikanische Multimillionärin, kehrt in ihr Heimatdorf Güllen zurück, um sich zu rächen: Vor Jahrzehnten hat sie aus dem Dorf f…
Geralt the Witcher—revered and hated—is a man whose magic powers, enhanced by long training and a mysterious elixir, have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary m…
The story revolves around two seemingly homeless men simply waiting for someone—or something—named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. Th…
The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller (Death of a Salesman and The Crucible), and Williams’ essay “The World I Live In.”
